Ghost Mountain by Rónán Hession

Ghost Mountain by Rónán Hession

Published by Bluemoose Books on 23 May

What They Say

Ghost Mountain, is a simple fable-like novel about a mountain that appears suddenly, and the way in which its manifestation ripples through the lives of characters in the surrounding community. It looks at the uncertain fragile sense of self we hold inside ourselves, and our human compulsion to project it into the uncertain world around us, whether we’re ready or not. It is also about the presence of absence, and how it shadows us in our lives. Mountains are at once unmistakably present yet never truly fathomable.

What I Say

I don’t think it’s any secret that I have loved each of Rónán’s previous novels, Leonard and Hungry Paul and Panenka, and knew one thing for sure that Ghost Mountain would be very different to both of them.

Rónán’s skill as a writer is that he constantly surprises you with the way in which he uses the written word and weaves worlds that are like ours but seem slightly magical. I don’t think you can easily categorise his writing, and that is what makes it even more special, and why I love reading his novels.

In Ghost Mountain, the seemingly simple premise of a mountain that just appears one morning, and the reactions of those who know about it becomes so much more. This is a novel about the human condition, of connection and co-existence. It is the story of how our lives can often seemingly be destined to move in one way, but that a decision or action in a single moment can change your world and those of people who you have never met.

When the Ghost Mountain appears in the nameless location, it is discovered by a local woman called Elaine, whose interaction with it ends in tragedy, and her not wanting to articulate to anyone what she has found. As other people discover it, the story spreads, and the mountain is swathed in visitors and tourists, all drawn to the place which has appeared for no reason, bringing with it routines and behaviours and as in society creating a right and wrong way to behave while there.

We meet local couple Ruth and Ocho, married but it seems more because it works rather than for any passionate reason. Both react to the appearance of Ghost Mountain in different ways – Ruth is bewitched by it, and wants to spend time there, while Ocho is highly sceptical of it, and retreats to his parent’s house, a place of safety, mundanity and comfort.

We meet the Clerk of Maps, an unnamed official who sees this ironically as the chance to make a name for himself, and realises he now has professional worth in a world where he was previously ignored. There is also the landowner who has inherited the land Ghost Mountain stands on, finds himself in possession of land he cannot sell, and a tenant who refuses to engage with him.

I loved the character of Dominic – the renowned local drunk with a penchant for making his feelings known by attaching notes to bricks and lobbing them through the relevant windows. When he throws one through Elaine’s window with a promise to pay back for the damage a small amount each week over a period of time, these two people who have stepped back from the world find a connection that draws them together and their lives change.

This for me is the very heart of Ghost Mountain, and what Rónán achieves brilliantly. He shows us how we are all connected, and often want to feel that human connection with someone or a group of people. All the characters in this novel in some way cross paths with everyone else, be it by being in a relationship, meeting because one character knows another, or even by standing behind them in a queue in a butcher’s shop.

Moments of tenderness and joy are set against shocking events that as a reader stop you in your tracks, and Rónán’s understated and thoughtful prose adds to the impact of them. There is a section about a mother’s love and the grief that comes when you lose them that just stopped me in my tracks, and Rónán’s absolute understanding of that life changing experience is present in every single one of those words.

Society is complicated, layered and often wonderful, but it can also be brutal and exclusive. It will alienate those who don’t fit the expected roles or aesthetics, leaving a group of people who live their lives trying to work out how to fit in. The ever present Ghost Mountain serves as a catalyst for this community, prompting some to question what they have accepted for so long, others to take the first step to a new life, and for some to realise that their time in this world is only temporary and to accept that too.

Ghost Mountain is an unforgettable and erudite novel about love, society and inexplicable mountains. It will make you stop and think about what you have read long after you have finished it, and realise that life is fleeting and complicated and often challenging, but that it is up to us to determine the path we take.

I absolutely loved it.

Thank you so much to Kevin and Bluemoose Books for my proof copy.

The List of Suspicious Things by Jennie Godfrey

The List of Suspicious Things by Jennie Godfrey

Published by Hutchinson Heinemann on February 15th

What They Say

Maggie Thatcher is prime minister, drainpipe jeans are in, and Miv is convinced that her dad wants to move their family Down South.

Because of the murders.

Leaving Yorkshire and her best friend Sharon simply isn’t an option, no matter the dangers lurking round their way; or the strangeness at home that started the day Miv’s mum stopped talking.
Perhaps if she could solve the case of the disappearing women, they could stay after all?

So, Miv and Sharon decide to make a list: a list of all the suspicious people and things down their street. People they know. People they don’t.

But their search for the truth reveals more secrets in their neighbourhood, within their families – and between each other – than they ever thought possible.

What if the real mystery Miv needs to solve is the one that lies much closer to home?

What I Say

It is always brilliant to be able to review books by authors that you have met and become friends with on social media, which is quite ironic, considering that in The List of Suspicious Things we are firmly in a world way before anyone even knew what a mobile phone or Twitter is!

I had been chatting to Jennie for while – usually about all the fabulous books we have been reading, and sharing recent recommendations of books we loved. When I was offered a copy of Jennie’s debut novel to read and review, honestly, I was more than a little nervous – it is a Radio 2 Book Club pick, and already there have been so many wonderful reviews, that there is always the worry that I might not love it.

Once I started reading The List of Suspicious Things, I just knew that I was reading something really special.

Miv, and her best friend Sharon are growing up in the late 70s. Margaret Thatcher is Prime Minister, and The Yorkshire Ripper dominates every news story and headline. Miv lives with her Mum and Dad and Aunty Jean. Her Mum keeps herself to herself, often in her bedroom and then disappears from their house for periods of time, with no one really explaining to Miv what is happening.

Miv’s Dad seems unsettled and not himself, and decides that maybe the best thing for the family is to move down South away from The Yorkshire Ripper and all the uncertainty and unrest around them. Miv is devastated and doesn’t want to move away, so the solution to her is perfectly clear – if she can discover who The Yorkshire Ripper is, she can stay here, with her best friend Sharon and nothing has to change.

Sharon agrees to help, and as Miv pours over the newspapers and listens to news about The Yorkshire Ripper, she decides that she and Sharon have to investigate anyone who fits any part of the profile. This is a brilliant way to change the narrative, because this opens up Miv and Sharon’s world for us to meet the people in their community who make their list, but also shows us that what we have always known is true – that appearances can be deceptive, and you never really know what goes on behind closed doors.

As Miv and Sharon investigate the people and things they have hunches about, we are introduced to a range of characters – amongst them there is Omar who runs the local shop and his son Ishtiaq, Helen and Gary Andrews who seem to be a happily married couple, and Arthur, who is Helen’s Dad and dealing with the death of his wife.

Jennie’s writing harks back to a time when all our lives were contained in the small world of the streets and places and people we knew so well, and we were reliant on who had seen and heard what to find out what was happening. Yet it has to be said that this is not a cosy, uncomplicated and innocent novel, mired in nostalgia and a rose tinted view of life.

The List of Suspicious Things is also a novel that unflinchingly shows a world where there is racism, domestic violence, mental health issues and marital affairs. This is a world presented to us through the eyes of children, who see and hear these things, but do not fully understand the intricacies and realities of what they are party to. Their innocence and seeming naivety presents us with a different view of the world, whereas we as readers, and the adults in the story bring our own experiences and knowledge of the realities of what the children are actually going through.

This is such a layered and nuanced novel that deals with so many things in one book, all executed effortlessly. Undoubtedly the main focus of the novel is the project that Miv and Sharon are undertaking, as to whether they can find the true identity of The Yorkshire Ripper, but this is not singularly why this is such an unforgettable book.

What makes this book so compelling for me to read is the portrayal of family life and the wider community, in all its shapes and forms. I felt that Jennie absolutely understood all her characters and their voices are clear and distinct. You get a real sense of place and time without it being something that detracts from the plot, and it makes the book feel anchored and authentic. Miv is such a brilliant protagonist, fearless and questioning and also aware that her family life is not like other people’s. Her relationship with her Mum is genuinely heartbreaking. – she knows what it should look like, and there are little moments in the book that shows us how much Miv understands that whatever happens her Mum is still there, trying to find a way back to being the Mum Miv needs. Miv is undoubtedly the pivotal character in this novel, and it is her relationships with the people around her that makes this such a compelling story.

In becoming part of Miv and Sharon’s world, we are also looking back at a time that some of us can remember clearly – that sense of growing up in a world where human connection was part of our everyday lives, with no phones or social media to colour our opinions. Our world at that time went as far as the streets around us, the neighbours we knew and the conversations we heard. The List of Suspicious Things is an unforgettable book that perfectly articulates what it meant to be a child at that time, and in doing so may make us realise how far we have come, but also how much we have lost in terms of having that close community around us.

Do Miv and Sharon find out who The Yorkshire Ripper was? Of course I am not going to tell you, you need to read it. One thing is certain though, that I promise after reading The List Of Suspicious Things, Miv and Sharon will always have a place in your heart.

I absolutely loved it.

Thank you so much to Hutchinson Heinemann for my proof copy.

Thank Goodness for Books

Ever since I decided last year not to do a Best Books of the Year thing, I have been thinking a lot about what I wanted my final blog post of 2023 to look like. I am genuinely too knackered to think of anything witty and erudite to say (that’s the joy of full time unpaid caring for you), but I am just awake enough to say that this year I felt like there was some undefinable shift for book bloggers.

Possibly it is because Twitter has felt very different over the past year – a lot like shouting into the void as you endlessly try and tell people that the books you are trying to shout about are really good and you know that so many of you would love it – if only you were able to reach them. Instagram has me baffled constantly, and at 53 I am not enthusiastic enough to do reels and feel too embarrassed to start lip syncing to songs while remembering to hold my book the right way round, so I guess posting pictures of my books against the white of my dining room wall will have to do.

There is absolutely no doubt that the bookish community is as strong and supportive as ever, but I know that lots of us are all having conversations about how different it feels at the moment – something we can’t quite put our fingers on, but I know lots of us feel it.

As always, this is just my opinion, and as always for me writing about how I am feeling helps me to process and understand it – well at least a little. I have been blogging since 2017, and this is the first year, as I have said before that I found this the most personally challenging in terms of caring and book blogging yet.

Not only have I been trying to juggle full time caring, dealing with all the stresses and pressures that brings – no sick days, no breaks and loneliness and isolation like I have never experienced, but also trying to not let down the publicists and publishers by making sure I read and reviewed the books I had promised to do, as well as keeping Years Of Caring going. This proved to be really challenging because ironically I was so busy caring for Eldest Years of Reading that I found it really hard to make the time to read the books and ask authors to be involved!

Anyway, I think what I am trying to say (not very well, so thank you for sticking with me so far!) is that 2023 has made me realise many things, and perhaps most of all how you have to be kind to yourself and accept that sometimes life means that you can’t read lots of books, or as much as you like, and that you absolutely shouldn’t feel guilty about it.

Reading should be a pleasure, a joy, something that gives you that real physical sensation of connection to a book and the words on the pages. Whatever you read, whenever you read, whether it be one page, one chapter or one hundred pages it is your chance to be somewhere else, on your own, even for just a little while. This year, this has meant more to me than I can explain, and having to accept that reading has to fit into my life rather that my life has to fit into my reading schedule has felt like an enormous weight has been lifted off my shoulders.

So I think the one piece of advice I am trying pass on is to remember how much you love reading. Why out of all the things you could be doing, that picking up a book is what you choose to do. How much you love finding yourself in new worlds, losing yourself for a while, that amazing feeling of joy and wonder that comes when you love a book and want everyone you know to read it too. We all read, loved and recommmended books way before we used social media to tell everyone about them, and I know I need to remind myself of that too.

Reading is a way to start conversations, to make friends, to read books that you never would have picked up, to find solace, comfort and joy. The right book at the right time can make you look at the world in a whole new way, and there is nothing like it when you find an author you love with a whole backlist for you to devour. Don’t ever feel embarrassed about telling an author how much you love their writing either, because it means the world to them to know how much their words mean to you.

It can be very easy to feel at times that your bookish worth is measured by how many books you have read, or how fast you can get through them, but honestly, maybe the best judge of it is being able to simply say – do you know what, I read some brilliant books this year, and it doesn’t matter if it is two or two hundred.

I guess what I am trying to say is that no matter how challenging 2023 has been, there have been two constants that have helped make it better – brilliant books and truly brilliant bookish friends, and for that I am and will always be forever grateful to all of you.

Wishing you all a very Merry Christmas and a Happy New Year,

Lots of love,

Clare

xxx

Keep Caring and Carry On

Reading Aloud Margery and the Boys by William Hutchison

It’s funny how time runs away with you when you are completely unaware and before you know it, it’s November, and Christmas and the New Year are in view.

I have noticed this year that for me, there have been massive changes both personally – the caring element has really taken over my life to be honest, and also I guess professionally – although I don’t know if I can really call my blogging that.

All I know as we come to the end of the year that things ain’t what they used to be, and I was feeling kind of confused about it all.

I have been shouting about books for a long time, and I love reading and talking about books, and it’s still the best feeling when someone contacts you to say that they read a book you recommended and they loved it. It’s really hard not to recommend another twenty to them, but you feel that you must be doing something right!

This year more than ever, there has been a wide range and numerous discussions and posts about book blogging, and with Twitter (still won’t call it X) changing all the time and Instagram having a fine old time monkeying around with that wonderful algorithm, lots of us are scratching our heads about how we can best get the word out about books we love to fellow readers.

A wise woman (thank you @bookishchat!) told me that when you have read and reviewed a book that you should feel that your part is done and that you should move on to the next book. I was getting really caught up in worrying about no one seeing or liking or sharing my posts, but honestly. I think you will never beat the algorithms and you have to post and move on, and hope that someone picks up a book that you have recommended.

For me, this year, this has been brought even more into focus by the fact that the demands on myself as a carer have increased massively. It has been hard, but I have had to admit that I can’t spend so much time writing reviews and thinking of lots of different ways to talk about books. Being involved with the Curae prize and being fortunate enough to meet the incredible writers who have contributed to it has made me really think about what I am doing and where to go from here.

My day is probably different to many of yours, and in fact my life is too. If you had told me twenty two years ago that I would be looking full time after my adult son, that I would have to give up my career, lots of things I took for granted that I would be doing, lots of my dreams, some friends, some family, holidays, nights out with my husband, having friends over, having weekends away, being able to just walk out of the house to go for a walk, or even be able to go into another room and have five minutes to myself, having a lie in, and all the other things that many people do without a second thought – I wouldn’t have believed you.

Yet here I am.

There are currently around 10 million unpaid carers in the U.K. according to Carers UK 2022 Research Data. You may be one, have been one, you may know one – or lots, and honestly – one day it’s likely you may find yourself as one. You may have known the day was coming, or it could come completely out of the blue, but one thing is certain. Your life will be very different, and for me, this year especially, I knew that in order to keep going, I needed to have something to let me be me – even if for only ten minutes.

Reading is always and has always been the very thing that I turn to, but this year has been hectic and full on, and trying to read and blog alongside trying to do everything else has made me feel that 2023 should really be my last year of Years of Reading Selfishly.

Yet something kept me from deleting my accounts and stopping reviewing.

Quite simply, it was the realisation that without that focus, that part of my life that I don’t know what I would do with my days, apart from look after my son and do housework and watch telly, and that’s not enough for me. It never was.

Starting my Years Of Caring project may be a very small fish in a huge pond, but knowing that I am making sure unpaid carers voices are heard, and that people are realising they are carers as a result of hearing others talk about it has just been incredible for me, and I have made some brilliant friends as a result.

It has also made me realise and acknowledge that reading and blogging is not, and should never be a competition. It’s about finding that joy and peace in those moments, be they languishing or snatched, that for that time it’s just you and the words on the page, and that you are transported away from your world if only for a little while. We all started our bookish accounts because we loved reading and shouting about books, and it’s too easy to get caught up in the misconception that if your posts aren’t liked or shared that it somehow means you have failed. We all read and talked and recommended books long before we dipped our toes in the social media sea, and sometimes I think I forget that.

Life is too short to read books you don’t love – and for me I have realised that life is also too short to believe that likes and shares somehow validate you as a reader or blogger. Once I realised that, suddenly all that matters is knowing that I am going to keep talking about and recommending books – however and whenever that works for me.

73 Dove Street by Julie Owen Moylan

73 Dove Street by Julie Owen Moylan

Published by Penguin Michael Joseph

What They Say


When Edie Budd arrives at a shabby West London boarding house in October 1958, carrying nothing except a broken suitcase and an envelope full of cash, it’s clear she’s hiding a terrible secret.

And she’s not the only one; the other women of 73 Dove Street have secrets of their own . . .

Tommie, who lives on the second floor, waits on the eccentric Mrs Vee by day. After dark, she harbours an addiction to seedy Soho nightlife – and a man she can’t quit.

Phyllis, 73 Dove Street’s formidable landlady, has set fire to her husband’s belongings after discovering a heart-breaking betrayal – yet her fierce bravado hides a past she doesn’t want to talk about.

At first, the three women keep to themselves.

But as Edie’s past catches up with her, Tommie becomes caught in her web of lies – forcing her to make a decision that will change everything . . .

What I Say

Sometimes in life there are things you can control and things you can’t. When Amanda (@bookishchat) and I read That Green Eyed Girl back in 2022 we knew straight away that we wanted to feature Julie and her brilliant novel on our joint bookish channel Two Fond of Books, because we knew how many people would love it.

We were right, and as soon as we heard that Julie had a second novel coming out called 73 Dove Street, it was without question that we wanted to ask Julie back to Two Fond so we could celebrate the publication and shout about it as much as we could.

What we didn’t anticipate was that personal circumstances would throw us both a huge curve ball, and we would have to take the difficult decision to end Two Fond of Books before we could have the chance to celebrate Julie and 73 Dove Street.

The last few months have been challenging for me to say the least, for reasons that are not important here, but I always knew that I wanted to read 73 Dove Street when I could really stop and savour every page.

I am so glad I picked it up, and so glad I waited til now to read it, because it is a novel that you will be absolutely and totally immersed in from the very first page.

When Edie first arrives at 73 Dove Street clutching her battered cardboard suitcase, it is very clear to us that she is running from something and someone, and that she needs a place to stay so she can disappear for a while. As Edie’s dual narrative unfurls, we see how Edie’s relationship with her husband Frank goes from a seemingly loving one to a world where Frank controls every aspect of her life, and starts to physically and emotionally abuse her.

As Phyllis, the landlady of 73 Dove Street is dealing with her own marital breakdown after her husband Terry cheated on her with one of the tenants, letting Edie have the attic room works for her, and Edie’s appearance is a timely solution to her need for a new lodger. Phyllis is aware of how she is getting older, and becoming invisible to the world, and as her world slowly unravels, we start to understand how the devastating events of the past have shaped her world and her place in it.

Tommie who lives there already seems to be confident and assured – working for Mrs Vee in her huge Bayswater House by day, and at night living life to the fullest. Yet we also see how Tommie is attracted to a man who simply sees her as a commodity to be picked up and put down as he wants – and she can’t see how he will never want anything more from her.

Let’s get two things straight from the start. Julie Owen Moylan has written a novel that puts you right into the heart of 1950’s London. The sights, sounds, description and domestic detail that permeate every page of this story bring this world so vividly to life, and it feels utterly authentic.

The other thing is is that Julie totally understands women and what it meant to be a women at that time. In another writer’s hands, Edie, Tommie and Phyllis could have been paper thin stereotypes, but Julie’s pitch perfect characterisations mean that these women resonate so deeply with us as readers because they are authentic, vulnerable and flawed.

73 Dove Street is a nuanced and intelligent novel, which for me shows how much Julie absolutely understands her characters and also the people who are reading her words. Julie is not afraid to show that life is often not straightforward and that neat and tidy solutions to life’s problems are not always what happens, however much we would like them to be.

Each of the women has undoubtedly been through things in their lives, and what makes them resonate with us is that in 2023 we still recognise that these issues are still prevalent today. Edie, Tommie and Phyllis are women who may be dealing with significantly different things in their lives, but they are united by two things. The painful and difficult awareness of where they are in their lives and how they got there, and the eventual realisation that it is within them to be the catalyst they need to be to make sure that the next part of their lives is going to be entirely in their control. They just have to understand that they need to have the courage to embrace and acknowledge it.

I absolutely loved it.

Thank you so much to Livvi Thomas and Penguin Michael Joseph for my proof copy.

The Stargazers by Harriet Evans

The Stargazers by Harriet Evans

Published by Headline on 14th September

Available from All Good Bookshops

What They Say

‘Don’t you think there should be a name for people like us?’ he said. ‘Who look up and who dream of more, who dream of escaping? Who never lose faith, no matter how hard it becomes?’

‘Stargazers,’ I said. ‘That’s what we are’

It’s the 1970s, and Sarah has spent a lifetime trying to bury memories of her childhood: the constant fear, the horror of her school days, and Fane, the vast, crumbling house that was the sole obsession of her mother, Iris, a woman as beautiful as she was cruel. Sarah’s solace has been her cello and the music that allowed her to dream, transporting her from the bleakness of those early years to her new life with her husband Daniel in their safe, if slightly chaotic, Hampstead home and with a concert career that has brought her fame and restored a sense of self.

The past, though, has a habit of creeping into the present, and as long as Sarah tries to escape, it seems the pull of her mother, Fane Hall and the secrets hidden there cannot be suppressed, threatening to unravel the fragile happiness she enjoys now. Sarah will need to travel back to Fane to confront her childhood, and search for the true meaning of home.

Deliciously absorbing and rich with character and atmosphere, The Stargazers is the story of a house, a family, and finding the strength inside yourself to carry on.

What I Say

I deliberately made sure that I started The Stargazers on a Friday, and gave myself a whole weekend to read it, because I knew from the start that this would be one of those novels that you can absolutely lose yourself in, and I wanted to savour every page.

This is a complex and thoughtful novel, in which Harriet deftly and pointedly deals with the idea of family and belonging, of what it means to be a mother when you have no idea what that is meant to look like, and learning to realise and accept that family is not always a picture perfect concept.

The novel opens with a young married couple, Daniel and Sarah, moving into an old house on The Row near Hampstead Heath. Daniel is effusive and optimistic about their new life, whereas Sarah seems more cautious and wary of the immense project this house will be for them.

As Daniel immediately ingratiates himself with his neighbours, Sarah feels more isolated, worried that her husband is more concerned with being with other people than their marriage.

Right from the start we become aware that Sarah has not had an easy life, and there are little clues that lead us to understand that to get to this point she has already endured a lot. The novel opens up into a dual timeline, focussing on her childhood with her sister Victoria and her mother Iris in the 1950’s, and her life with Daniel in the 1970’s.

Young Sarah and Victoria live with their mother Iris in a flat in Kensington, but make no mistake, this is not some safe and wonderful childhood, peppered with fond memories and a sense of comfort and calm. Iris is filled with anger and hate, seeing the children as an annoyance and a distraction and is openly abusive and neglectful towards them.

Iris is driven by the fact that she believes that they were wrongly forced to leave Fane Hall, her family home, by her Uncle Clive who is the Earl. Sarah and Victoria lived with their mother there as young children. When their grandfather died Uncle Clive inherited Fane Hall, because as a woman, Iris couldn’t. The family waits for Clive to come back to claim his estate, and Iris believes that once Uncle Clive arrives, they will all be able to live in Fane Hall as one happy family, Uncle Clive has very different ideas. When he and his wife Dotty arrive, Iris and her daughters are shunted off to a shabby flat in Kensington, and Iris is hellbent on ensuring she gets the house back – whatever the cost.

Then one day, she simply decides she is going to get Fane Hall back, and moves the girls and herself in to one of the wings. The house is in a terrible state, falling into disrepair and a far cry from its heyday, and similarly Uncle Clive is an angry and desolate old man, furious that Iris has moved back, determined to gain control of Fane Hall again.

It is only when Sarah meets a local boy nicknamed Bird Boy that she truly feels happy. Together they spend time looking after an injured barn owl called Stella that Sarah rescues, and looking up at the sky to see the stars and planets above them, that provides the peace and escape from her awful home situation that Sarah craves. From the very first moment they meet, they have an implicit understanding of each other, and their connection means they can be honest with each other – something they both can’t be in their everyday lives.

As the two adults battle for control of Fane Hall, Sarah and Victoria are forgotten and then sent off to a dilapidated boarding school where Victoria thrives, and Sarah doesn’t – until she discovers the cello, which gives her focus and distraction from her everyday life. Yet when the school bullies become involved in her cello lessons – including Victoria, Sarah’s world will change forever in ways she could never have imagined.

As we the narrative moves on, adult Sarah feels trapped by motherhood, feeling that she doesn’t know what she should be doing and is overwhelmed by it. Resentful that Daniel seems unaffected and living his life as he always has, Sarah’s love for playing the cello becomes something she can only dream of as she spends her days caught up in making sure that her two daughters and everyone else is looked after, while her own needs and desires are subsumed under the mountain of domestic chaos that is all around her.

It is only when Sarah and Daniel face an unimaginable event, that Sarah finally sees how much of a mother she is, and that her relationship with her own mother and sister has not defined her, but has in fact made her the woman she is today. With a new sense of understanding, Sarah is finally able to articulate what she needs to feel happy, and find the strength and confidence to live the life she deserves.

The Stargazers is such an emotionally rich and satisfying novel, that never feels stretched, and Harriet’s tender and masterful prose shows how connected she really is to both the characters and the ever present Fane Hall, which is not the backdrop to this story, but is instead the very beating heart of this book. This should have been the place to make Sarah and Victoria feel safe, their mother’s determination to own it means that for them their mother and Fane Hall embody everything they want to forget.

Iris is an unforgettable and unlikeable character, whose real motives for getting Fane Hall back are slowly revealed through the narrative. Although her treatment of her daughters can never be condoned, as Harriet skilfully peels back the history of this woman, as a reader you can start to understand exactly what motivates her. Her actions and intent speak for themselves, but at the same time as a reader you see a frustrated and angry woman whose whole existence is determined by getting back her house, as oppose to paying any attention to the daughters who are bewildered by the behaviour of the woman who is their mother.

Harriet absolutely understands her characters, and I loved how they were vulnerable, flawed, and all searching for the very thing that eludes them – a sense of family and home. It is only when Vic and Sarah have that distance from their mother and each other that they finally come to terms with what family means to them, and how they can navigate their own worlds in the best way they can.

I absolutely loved it.

Thank you so much to Rosie Margesson and Headline for my proof copy in exchange for an honest review.

Take What You Need by Idra Novey

Take What You Need by Idra Novey

Published by Daunt Books Originals

on 3rd August 2023

Available from All Good Bookshops

What They Say

Take What You Need traces the parallel lives of Jean and her beloved but estranged stepdaughter, Leah, who’s sought a clean break from her rural childhood. In Leah’s urban life with her young family, she’s revealed little about Jean, how much she misses her stepmother’s hard-won insights and joyful lack of inhibition.

But with Jean’s death, Leah must return to sort through what’s been left behind. What Leah discovers is staggering: Jean has filled her ramshackle house with giant sculptures she’s welded from scraps of the area’s industrial history.

Set in the Allegheny Mountains of Appalachia, Take What You Need explores the continuing mystery of the people we love most, zeroing in on the joys and difficulties of family with great verve and humour, and illuminating what can be built from what others have discarded.

What I Say

There are novels that when published, seem to be everywhere, with so many people shouting about them, that often there are quiet novels of pure brilliance that don’t get the attention they truly deserve. I hope that Take What You Need really does find its way onto your bookish radar, because I think it should be front and centre on your reading lists.

In Take What You Need Idra Novey perfectly articulates the complexities and realities of living in modern America while the world beyond your four walls, and the people you love change beyond your control.

Jean and Leah are stepmother and daughter, who are now living in different parts of the country after Jean had to live the familial home when Leah was only ten. Although Leah’s father tried to discourage their relationship, they stayed in touch via sporadic emails and phone calls. Leah is now living in New York with her husband and young son, while Jean lives in Appalachia, a place ravaged by poverty and addiction. When Leah receives a phone call from a stranger, telling her that Jean has died and left her artwork to her, Leah and her husband undertake the journey to the Allegheny Mountains with their young son.

After a life of working, Jean had devoted herself to her art, and used steel and lots of different ephemera that she collected from flea markets and wherever she could to create her works she called her ‘manglements’ – a body of work that ranges from small boxes to huge totem pole sizes that she has inside her house.

When Jean’s neighbour asks to use her stand pipe so she can get water for her family after theirs is cut off, it is then she meets their son Elliott. Realising how little money the family has, she starts to offer him food and the use of her shower. After Elliott helps Jean when she has an accident making her art, they start a tentative friendship, and Elliott starts to help Jean construct her artwork. Jean sees a young man constrained by his environment, who has the potential to change his life – if only he can see it – and this is part of the backdrop of this novel, the very different lives that play out when you do or don’t have the financial means to survive.

All the time Jean is also thinking of Leah, and when a visit from her goes spectacularly wrong – with both women describing very different perceptions of what happened, the relationship breaks down again. Jean is alone, with only her art for company, and Elliott is becoming more and more distant as he becomes an addict, starts to turn to theft and is thrown out of his family home. Leah finds it difficult to understand how Jean can possibly want to speak to Elliott after everything he has put her through, but Jean instinctively understands that this is a young man who never stood a chance as the world around him collapses and pulls him under with it.

The narrative moves effortlessly between Jean and Leah, both women aware of the closeness they have lost, and realising that if only they can find the words, they could once again have the relationship they both miss so much. I felt it was also a way for Idra to show the reader two very different experiences of living in America, at a time when the MAGA movement and Donald Trump’s presidency is a reality, and we are constantly aware of the socioeconomic backdrop to the plot. Elliott’s trajectory is one that is all too familiar and harrowing, yet there is also a humanity and need for connection that means he cannot let Jean go, as he recognises that she saw him as a person with potential, and although he doesn’t always know how to deal with it, he eventually understands the emotional debt he owes her.

Take What You Need is a beautiful and thoughtful novel about how art intersects with so many parts of our lives, and how powerful and life changing it can be. This is also a novel about how sometimes family is not necessarily those people you are related to, but instead can be found in those people who understand and love you for what you are and the potential they can see in you. Jean understands both Leah and Elliott completely, and although they are seemingly disparate characters, it is Jean’s love and desire for both of them to fulfill their potential that unites them after she is no longer in their lives.

I absolutely loved it.

Thank you so much to Jimena Gorraez and Daunt Publishing for my proof copy

The Whispers by Ashley Audrain

The Whispers by Ashley Audrain

Published by Michael Joseph on 20th July

Available from all Good Bookshops

What They Say

The whispers started long before the accident on Harlow Street . . .
Was it at the party, when Whitney screamed blue murder at her son?
Or after neighbour Blair started prowling Whitney’s house, uninvited?
Or once Rebecca and Ben’s childlessness finally puts a crack in their marriage?
But on the terrible night of the accident, the whispers grow louder, more insistent.
Neighbours gather round. Questions are asked. Secrets are spilled. And the gloss on everything begins to rub off. Everyone is drawn into the darkness.
Because there’s no smoke without fire.
No friendship without envy.
And no lie that does not conceal a devastating truth . .

What I Say

You might have already read Ashley’s first novel, The Push – which quickly found its place as one of my favourite books.

When I was asked if I would like a proof of The Whispers, of course I said yes, but there is always that slight concern that it won’t be so brilliant, and then how do you review it?

Readers, let me tell you, I think The Whispers is even better.

This is a novel which puts motherhood and relationships front and centre. What does it mean to be a mother? What does society expect from mothers? Does it mean losing ourselves as we strive to make sure that our children’s needs are always the most important, and what if you don’t fit the template that everyone expects you to?

With Whitney, Blair and Rebecca, we see three very different women living in the same street, all dealing with motherhood and their relationships in very different ways.

Whitney feels overwhelmed by motherhood, and instead spends as much time as she can out of the house at her business, leaving the parenting to her husband and anyone else, revealing how dull and boring she finds it, resentful of all the mundanity and routine it brings.

Her best friend Blair is the complete opposite, her world is her daughter, and her own wants and needs have been subsumed by her daughter and husband. Yet Blair is not fulfilled either, is desperately lonely, and yearns for something that is her own. Blair slowly starts to suspect that her husband is having an affair – with Whitney.

Rebecca is an ER Doctor, and in spite of trying, is unable to carry a child to full term. Although originally she wanted to stop trying, she now wants to have a child with her husband. As they try to conceive, the gap between them becomes wider, and Rebecca feels that her marriage is failing.

Whitney undoubtedly seems to have the world and her neighbours in her picket fence perfect suburb of Harlow Street at her beck and call. Until one day at a party held in her home, they hear her screaming at her son, Xavier. A few months later, Xavier is in a coma, having apparently fallen from his bedroom window, and as she rushes to his bedside, seemingly bereft, his accident shows us exactly who Whitney really is. and little by little, the seemingly perfect facade of Harlow Street slowly cracks to show us exactly what secrets the residents are hiding.

As the events leading up to Xavier’s fall start to become clearer, and the women’s lives start to unravel before us, you understand that each of these women have one thing in common – that they have put the needs of others first, and that although on the surface they seem content, very slowly you understand that each of them is burying the anger and resentment that they feel, because to show it outwardly would deem them as socially unacceptable.

Ashley Audrain’s incisive and intelligent writing reflects this. If all these women were perfect examples of motherhood – then we wouldn’t engage with them, and the story would feel vacuous. It is the very fact that these women articulate what so many of us express privately is what makes us feel a connection with them. They are not perfect, they are vulnerable and at times bewildered by a world that judges them for their ability to conform to standards that are old fashioned and unforgiving.

The power of this novel also comes from the way in which the plot moves along at a rapid pace, but never feels forced or contrived. Ashley knows that in order for us to engage with and care about the characters, that there has to be a distinct line between scintillating plot twists and truthful character portrayals, and in The Whispers, she achieves this perfectly.

The Whispers is a brilliantly constructed and effortlessly plotted novel that once you start reading you cannot put it down. Ashley absolutely understands not only the dynamics and pressures of families, but also the complicated and sometimes limiting roles we find ourselves in as partners and parents. As the novel draws to its conclusion, Blair and Rebecca find the confidence to determine what they want from their lives, putting themselves first. We also sense that Whitney will finally get the chance to be the mother she realises she wants to be, but be prepared, because life is never that straightforward is it?

I absolutely loved it.

Thank you so much to Jen Breslin for my proof copy.

The Garnett Girls by Georgina Moore

The Garnett Girls by Georgina Moore

Published by HQ Stories on February 16th 2023

Available from West End Lane Books and All Good Bookshops

What They Say

A brilliant debut and powerful tale of sisterhood and home, set on the beautiful beaches of the Isle of Wight…

Flawed, complicated, secretive, big-hearted, you’ll fall in love with the Garnett girls. Margo and Richard’s love affair was the stuff legends are made of – forbidden, passionate, all-encompassing. But ultimately, doomed. When Richard walked out, Margo shut herself away from the world, leaving her three daughters, Rachel, Imogen and Sasha, to run wild.

Having finally put the past behind her, the charismatic Margo holds court in her cottage on the Isle of Wight, refusing to ever speak of Richard. But her silence is keeping each of the Garnett girls from finding true happiness. The eldest, Rachel, is desperate to return to London, but is held hostage by responsibility for Sandcove, their beloved but crumbling family home. Imogen, the dreamy middle child, feels the pressure to marry her kind, considerate fiance, even when her life is taking an unexpected turn. And wild, passionate Sasha, the baby, trapped between her increasingly alienated family and her controlling husband, has unearthed the secret behind Richard’s departure… and when she reveals it, the effects are devastating.

Set on the beautiful beaches of the Isle of Wight, The Garnett Girls asks whether children can ever be free of the mistakes their parents make.

What I Say

Honestly? As soon as I heard that Georgina Moore was writing a novel, I wanted to read it, because book blogging is the very reason that we met, and as a brilliant supporter of bloggers, Georgina not only sends me fabulous books, but we have found over the years that our reading tastes are very very similar.

Honestly? When I knew that Georgina was very kindly going to send me a proof copy, I was nervous, because this would be a book written by someone I knew, and what would I do if it wasn’t for me?

Readers, let me tell you, that as soon as I started reading it, I knew that The Garnett Girls was not only going to be fabulous, it was just the novel I needed to read at that moment.

Margo is the matriarch of the Garnett family. Confident, engaging, unapologetic in asking for what she wants – and usually getting it, she knows who she is and what she needs, and she also is embracing life and sex, while all the time overseeing her family and getting involved in their lives.

Rachel, her eldest daughter, and her husband Gabriel, now live in Sandycove, the Garnett family home on the Isle of Wight, while Margo lives in a cottage nearby referred to as The Other Place. Rachel misses the life and vibrancy of her work and life in London, and is not enjoying being at Sandycove with all the duties and responsibilities it brings. Gabriel, who gets on famously with Margo, and runs the house while she works, also seems to be drifting from Rachel, and seems more interested in his phone than talking to her.

Imogen is a playwright, engaged to William – more from duty than because she loves him, and when she meets Rowan, the actress who will be the lead in her play, Imogen realises that she is incredibly attracted to her. It is the intensity and power of her relationship with Rowan that will cause Imogen to question everything she thought she knew, but we also see that Rowan’s need to be front and centre of Imogen -and indeed everyone’s world, makes Imogen realise that she has some really difficult choices to make.

Sasha, the youngest child, seems to be moving further and further away from her family. Her husband Phil is to be far too involved in her life and is controlling her world more and more, and Sasha is losing her sense of self at home, living for the times she can escape from her house and her marriage however briefly. When Sasha decides to look into her past, she sets off a chain of events that threatens to blow the family apart.

As the lives of the women are firmly at the forefront of this novel, always present in the background are two things. The ever present house, Sandycove, which may be in need of some attention, but every single part of it contains the memories, shared experiences and the good and bad times of the Garnett family. The other issue that is never mentioned is that their father, Richard, abandoned them all when the girls were very young, leaving Margo bereft and broken, unable to look after her daughters for a period of time. When it seems that Richard may come back into their lives, Margo and the girls find their worlds turned upside down, and they also have to look to their own lives to understand that they too have issues that are threatening their own happiness.

What I loved about this novel is the way in which from the very first page you are completely immersed in the world of The Garnett Girls. Sandycove, The Other Place and the Isle of Wight are so vividly brought to life, that you can see and feel every thing – the warmth of the beach, the food they eat, and the comfort and cosiness of Sandycove and the vivid depiction of the characters make it so easy to see them in front of you.

It was also interesting to see how Georgina wrote about sex and sexuality in The Garnett Girls, and so refreshing that age was not seen as a barrier to a woman relishing in her self and desires. Margo has lovers, and acknowledges that she needs to feel desired and to have sex, Rachel is struggling to keep sex alive in her marriage, while Imogen is not sure about her sexuality and Sasha’s unhappy marriage to Phil is no match for the attraction she feels to Jonny, a family friend. The ease with which Georgina wrote about these women and their sexuality felt frank and direct, and for me, made me feel closer to the characters.

The other theme I thought was handled brilliantly by Georgina was the dynamics of family relationships – something I love reading about. For me, I am always intrigued by how even the most seemingly perfect family a can be a myriad of things not said, of words swallowed down to avoid upsetting people, and how refusing to acknowledge a shared trauma a family has been through, like the Garnett Girls, has such an unconscious and wide ranging impact on their lives and relationships. Their lives are often complicated and messy, and I liked how behind closed doors and indeed in front of them, the Garnett family had to deal with it all, in a town where everyone’s business is everyone else’s business.

As Rachel, Imogen and Sasha come to terms with the issues in their own lives, we see how they share the unconscious bonds of sisterhood, being there for each other and trying to navigate their way through a devastating secret that eventually comes to light. I thought it was also interesting to see how Margo had controlled their world so that every trace of their father was eradicated from their narratives, but that she had to reconcile with the fact that her daughters needed to understand and know why their father had made the decisions he did.

The Garnett Girls is a novel that when you have finished it and sat back and thought about it, you realise how much is contained in its pages. There are the mother daughter relationships, the complexities of family life, the secrets that all families have, and the ever changing landscapes of what defines a successful relationship and marriage. However, for me, The Garnett Girls is ostensibly about celebrating women, and Georgina implicitly understands how much we need to see women who are relatable, real and not always perfect. Imogen, Rachel, Sasha and Margo show us that we should not define or restrict our choices, but instead we should be unafraid to articulate what we want or need, and for that reason alone, The Garnett Girls is a timely and utterly enchanting debut novel that I absolutely loved.

Thank you so much to Georgina and HQ Stories for my gifted proof copy.

We All Want Impossible Things by Catherine Newman

We All Want Impossible Things

by Catherine Newman

Published by Doubleday Books on January 12th

Available from West End Lane Books and all Good Bookshops

What They Say

Who knows you better than your best friend? Who knows your secrets, your fears, your desires, your strange imperfect self? Edi and Ash have been best friends for over forty years. Since childhood they have seen each other through life’s milestones: stealing vodka from their parents, the Madonna phase, REM concerts, unexpected wakes, marriages, infertility, children. As Ash notes, ‘Edi’s memory is like the back-up hard drive for mine.’

So when Edi is diagnosed with terminal cancer, Ash’s world reshapes around the rhythms of Edi’s care, from chipped ice and watermelon cubes to music therapy; from snack smuggling to impromptu excursions into the frozen winter night. Because life is about squeezing the joy out of every moment, about building a powerhouse of memories, about learning when to hold on, and when to let go.

What I Say

There are novels you read and love, and then there are novels you read and love and nod your head in recognition, that make you laugh and add lots of post it notes so you can go back and reread the passages because they are so wonderful – and We All Want Impossible Things is one of them.

If you are looking for a sweet, subdued book about friendship – then this is not for you. If however like me, you love novels that show friendships in all their glorious, messy and magical forms, then this should absolutely be on your reading list.

Edi and Ash have been friends for longer than they can remember, and have that wonderful connection that comes with a lifetime of shared experiences and moments they only understand.

When Edi is diagnosed with terminal cancer, Edi’s husband Jude decides that to avoid their son Dash having to see his Mum pass away, that Edi will move into a hospice close to Ash, and Ash will provide the daily support she needs.

The power of Catherine’s storytelling is steeped in every single page of this novel. Not only must Edi and Ash now navigate a new and uncharted path through their friendship, but dealing with the day to day unglamorous realities of cancer, the etiquette of grief and dying, and the ever present knowledge that Edi is not going to be here for much longer, makes the women appreciate what they have now and all the things they have ever had together.

Ash seems to be split in two – dealing with Edi and being the present and unshakeable friend in her presence, but at the same time unravelling when she is away from Edi, seemingly separated from her husband and ricocheting from relationship to relationship as she tries to hold everything and everyone together. At times I felt completely frustrated with her, but it also makes you understand that there is no prescriptive way to deal with grief, and while we may not understand why Ash behaves as she does, it is not for us to judge her.

It is also important to say that this novel does not shy away from Edi’s condition, and this is not some airbrushed version of cancer. The day to day realities of what it’s like to have a terminal illness, and the physical, emotional and medical stresses that Edi and her family go through are laid bare. It was at times undoubtedly hard for me to read, having lost a Mum to cancer, but at the same time I was pleased that Catherine told Edi’s story with compassion and candour.

Catherine Freeman also perfectly understands the complicated and awkward nature of dealing with a loved one who is dying, and that there should be no shame in acknowledging the humour too. If Edi’s heart’s desire is to taste the cake from a recipe no one can find, that Ash will do everything she can to get hold of it, whilst at the same time Ash wonders when the most appropriate time would be to ask Edi if she can have the favourite t-shirt back she borrowed! This is what Catherine does so well – her characters are real, relatable and not perfect – and it made me love them even more.

We All Want Impossible Things is a glorious love letter to female friendships in all its unremarkable, remarkable and perfectly imperfect forms. Edi and Ash are characters who not only have the emotional shorthand that so many of us long for in friendships, but also resonate so deeply because they are just like us – not perfect, not always likeable, but they would do anything for each other however difficult that might be, and I completely loved them for it.

Thank you so much to Alison and Doubleday books for my gifted proof copy.