One Night New York by Lara Thompson

One Night, New York by Lara Thompson

Published by Virago on 14th January 2021

Available from all Good Bookshops and Online

What They Say

A thrilling debut novel of corruption and murder, set in the nightclubs, tenements and skyscrapers of 1930s New York.
At the top of the Empire State Building, on a freezing December night, two women hold their breath. Frances and Agnes are waiting for the man who has wronged them. They plan to seek the ultimate revenge.
Set over the course of a single night, One Night, New York is a detective story, a romance and a coming-of-age tale. It is also a story of old New York, of bohemian Greenwich Village between the wars, of floozies and artists and addicts, of a city that sucked in creatives and immigrants alike, lighting up the world, while all around America burned amid the heat of the Great Depression. It also marks the arrival of an exciting new talent on the Virago fiction list.

What I Say

One Night, New York is a glorious and absorbing delight of a book, that just explodes with energy on every page. It is ambitious in its scope, and perfectly captures the realities and sometimes unsavoury sides of living in New York in the 1930s.

It starts on the 21st December 1932, with two women, Frances and Agnes, on the seventy-second floor of the Empire State Building waiting for an unamed person to arrive. Why they are there, and what they are about to do is not clear, but what is absolutely evident from the first page is that these women have a score to settle – whatever the cost.

The whole book is seeped in the atmosphere and the deceptively glamourous lives led by the artists, creative people and downright unsavoury characters who inhabit this world. New York is evolving and with its changing and growing skyline, and it is the ever present background in this world – all seeing, all encompassing and in every part of the plot. The descriptions of the people, places, clothes and the lives they lead mean that this is one of those novels that is totally entrenched in the world it depicts, that every page, every scene captivates the reader completely.

Frances is fleeing from her controlling parents in Kansas. She boards a train for New York to go and meet her brother Stanley, and it is there she meets the glamorous Jacks and her charismatic friend Dicky. They want to use Frances as part of a makeover for a story Jacks is writing. Dicky gives her his card and asks her to come and see them when she is settled in New York. Frances is unable to read, so has to take his word for what he has told her. From the moment she arrives in New York and meets Stanley, Frances is overwhelmed by the sights and sounds of the city, and you see this vast and confusing place very clearly through her eyes as she struggles to comprehend how she will ever fit in.

Frustrated by Stan’s attempts to keep her in their apartment, she eventually makes her way to Jacks and Dicky’s house, where she meets Agnes, the young woman who will change her life forever. Frances feels a connection and a deep attraction to Agnes, but this meeting also paves the way for Frances to ingratiate herself into the less picture perfect side of New York.

Her relationship with Stanley is becoming increasingly strained, as he refuses to tell her what he does at night, why he has been assaulted, or why there are bundles of money under the floorboards in their apartment. Frances is an incredibly smart and intuitive woman who knows that what Stanley is not telling her is far more worrying than what he is, and when she is faced with an incredible loss, she resolves to find the answers – however distressing that may be.

Agnes confides in Frances about her family, how her Mother is being cared for by nurses, and how her sister committed suicide after being blackmailed by the New York Police for having had risqué photos taken. Now Agnes is being blackmailed too, and Frances realises that in order for them to live their lives in peace, they are going to have to take matters into their own hands.

One Night, New York does not shy away from the darker side of the city at all, and in doing so it opens up a whole new narrative for the novel. It is a world where extortion and corruption at every level is rife, and women are a convenient commodity to be picked up, used and tossed aside when they have outlived their usefulness. The violence is brutal and shocking, but it is completely integral and necessary to understand the way in which this world functions, and why Frances and Agnes are so intent on revenge.

For me, the pace of the novel was perfectly pitched, and you cannot help but feel a connection to all the characters in this novel because Lara Thompson makes you care about what happens to them. One Night, New York is a bold and ambitious novel that works so well because not only does it immediately pull the reader right into the heart of the action, but Lara Thompson has created relatable characters whose flaws and vulnerabilities give them the courage to take matters into their own hands to achieve the lives that they deserve.

Thank you so much to Kimberley Nyamhondera, Grace Vincent and Virago Press for my gifted copy.

The Lies You Told by Harriet Tyce

The Lies You Told by Harriet Tyce

Published by Wildfire Books

Available from all Good Bookshops and Online.

What They Say

Sadie loves her daughter and will do anything to keep her safe.

She can’t tell her why they had to leave home so quickly – or why Robin’s father won’t be coming with them to London.

She can’t tell her why she hates being back in her dead mother’s house, with its ivy-covered walls and its poisonous memories.

And she can’t tell her the truth about the school Robin’s set to start at – a school that doesn’t welcome newcomers.
Sadie just wants to get their lives back on track.

What I Say

I was lucky enough to read Harriet’s debut novel Blood Orange as a proof, and absolutely loved every single page. When I heard that she had written The Lies You Told, I really wanted to read it. The thing is, when someone’s first novel has been so memorable, I am always worried that the second novel may not live up to the first one.

I could not have been more wrong. In fact, just between us – I think The Lies You Told is even better.

Sadie’s marriage to Andrew has ended, and she has left him in the United States to bring their daughter Robin back to the UK. They have to move back in to Sadie’s now run down childhood home which in a calculated decision by Sadie’s late mother Lydia, has only been left to Robin. Lydia and Sadie had no relationship, she resented Sadie for ruining her chance at a career, and was cruel and indifferent towards her. Lydia could not forgive her daughter for giving up her promising career in law to have Robin and destroyed everything in her bedroom as a way of showing her anger. Even from the grave, Lydia has exacted her revenge, by stipulating that Sadie and Robin can only live there if Robin attends Ashams school – the same school Sadie went to, and hated.

Just as Robin is petrified of attending a new school as a Year 6 student, Sadie also has to deal with the group of über parents at Ashams – led by Julia, the unequivocal Queen Bee. What Harriet captures so well in this novel is the absolute awfulness of people like Julia and her school mum clique which sent a chill down my spine, as it all seemed too familiar! The way in which they decide who is to be talked to and who is to be ignored. The desperate need those around Julia – like the subservient Nicole, have, to be acknowledged by her to feel that they exist. Perhaps even more troubling is the way in which these parents project their own aspirations and drill their children into believing that passing the eleven plus to get into the best secondary school is the only thing that matters.

It is clear from the start that neither the other pupils or mothers want Sadie and Robin there, even more so when Robin performs brilliantly academically, proving to be a real threat to the chances that the other girls will have for getting their place in secondary school. Sadie is trying to navigate the social minefield of school life, whilst at the same time is trying to make an impression at work in chambers. She is helping with the defence for a case where a teacher called Jeremy has been accused of having an inappropriate relationship with a pupil called Freya, and she and her colleagues are working to prove that he is telling the truth, and that Freya is the one lying.

As Sadie strives to resurrect her career, she finally reaches breaking point with the vindictiveness of Julia, Nicole and their clique. It is only when she shows them that she used to attend Ashams herself, suddenly the defences are down and chillingly she is welcomed unquestioningly into the group with open arms. Although Sadie might believe this will make her and Robin’s life far easier, this acceptance into the Queen Bee’s world triggers a chain of events that shows how disturbingly far some parents will go to get what they believe their children are entitled to (no spoilers here, you need to read the book!)!

The Lies You Told works so well, because Harriet has recognised and honed absolutely in on what drives so many parents – the need to be able to show how much more their child has achieved than everyone else’s. It is a novel that totally absorbed me, and Harriet knows exactly when to turn up the pace and when to slow down the plot so that the relationships between the characters can come to the fore. Her depiction of Sadie and Robin’s relationship really resonated with me, as she perfectly describes the love, protectiveness and sheer frustration that you can have with your children – often within the same ten minutes!

It is also a very insightful and articulate novel about the pressure and stress we increasingly put our children under, believing that we know best as to what they should be achieving, as oppose to sometimes stopping to listen to what they are telling us. I loved how when Sadie is ‘allowed’ to join the clique, that little by little, Julia and Nicole slowly reveal themselves as their guards come down. Initially you start to feel empathy with these women and the immense strain they are putting on themselves to appear to be the perfect parents, but Harriet skilfully and slowly reveals how these women are anything but defenceless.

It was also interesting how the narrative was split between Robin and Sadie’s experience of Ashams School, and the legal case Sadie is working on. At work, as well as having to prove herself after a long absence, she starts to sense that Jeremy is not as innocent as he pleads, and is being protected by those around him. One of the themes in this novel I felt, was the notion of identity and fitting in. We see how Sadie has to try and find her place at the school and work, as does Robin. Jeremy presents one identity to the court to seem like the innocent party, but slowly starts to reveal who he really is. Julia, Nicole and the parents at Asham, show how their identities are inextricably linked with their children, and how they have to mould themselves into what is expected of them, so that they seamlessly fit in – irrespective of how much that goes against who they really are.

I found The Lies You Told impossible to put down. As with all accomplished writers, just when you smugly assume you know where the novel is going, Harriet pulls the rug from under you and you realise you were absolutely wrong. The pieces of the puzzle fall slowly into place, and the truth starts to emerge at a deliciously perfect pace. The novel pulls us towards a breathtaking conclusion that when you have finished, leaves you questioning every line you have just read and wondering how you missed the clues – and that for me really is the sign of a brilliant book.

I absolutely loved it.

Thank you so much to Rosie Margesson for my gifted proof copy of The Lies You Told in exchange for an honest review.

Mr Nobody by Catherine Steadman

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Catherine Steadman: Mr Nobody

Published By: Simon and Schuster UK

Available online and from all good bookshops

What They Say:

When a man is found on a Norfolk beach, drifting in and out of consciousness, with no identification and unable to speak, interest in him is sparked immediately. From the hospital staff who find themselves inexplicably drawn to him; to international medical experts who are baffled by him; to the national press who call him Mr Nobody; everyone wants answers. Who is this man? And what happened to him?

Neuropsychiatrist Dr Emma Lewis is asked to assess the patient. This is her field of expertise, this is the chance she’s been waiting for and this case could make her name known across the world. But therein lies the danger. Emma left this same small town in Norfolk fourteen years ago and has taken great pains to cover all traces of her past since then.

But now something – or someone – is calling her back. And the more time she spends with her patient, the more alarmed she becomes.

Has she walked into danger?

What I Say:

When I read and reviewed Catherine’s previous novel, Something In the Water , I realised I had found that rare thing, an author who had written a novel where I could not guess one of the twists!

I love the fact that sometimes as a reader, you are as much in the dark as the protagonist, and that the discoveries they make along the way are just as fresh for you as for them. When I was lucky enough to receive a copy of Catherine’s latest novel Mr.Nobody from the wonderful LoveReading I have to admit I was a little concerned that it wouldn’t be able to live up to the brilliance of her first novel.

I think it’s even better.

A man, bruised, battered and absolutely bewildered is found wandering on a beach in Norfolk. He is unable to speak, has no memory of who he is or how he got there.  Added to this, he has no identification on him and no one has reported him missing. He is taken to a local hospital where no one is able to reach him, until the renowned Dr Emma Lewis is hand picked to work on his case.  Her curiosity is piqued as she has to go through various faceless bureaucratic hoops to gain access to Mr. Nobody, and none of her contacts will truly tell her what is happening, or why they are so evasive.

So far so straightforward. However, Emma was not always called Emma Lewis.  It transpires she has a very chequered past with the same small town in Norfolk, after a family tragedy (of course I am not going to tell you what that is – you need to read it!) which meant that she and her family had to move far away and assume new identities.

You can imagine the jaw dropping moment for Emma – and for us as a reader, When she meets Mr Nobody, he calls her by her previous name as soon as he sets eyes on her! He also knew very private information about the Nurse called Rhonda who he has formed a bond with, which he could not have possibly known. Already there is a huge sense of unease in the novel, a delicious sense of anticipation as to what is come, and for me, that is what elevates a story from readable to unmissable, and Mr. Nobody has that in spades.

As this case is so high profile, and potentially dangerous for Emma, she is given police protection.  One of the police officers assigned to the case is her old friend Chris who knew her when she lived here before, and recognises her immediately – he is now married to a story hungry and not particularly likeable journalist called Zara who will stop at nothing to get to the heart of Mr. Nobody, and will use anyone, even her husband to get to the story before everyone else.  As appalling as Zara’s ethics were, it was interesting to see how someone so driven was so willing to put the story above everything else.

Told in alternating viewpoints from The Man and Emma – this device works well and switches easily and also keeps us on our toes.  Mr. Nobody starts to remember things and flashes of memory come back, and we follow him as he attempts to try and piece together what is happening to him now, and what has brought him to this specific beach in Norfolk.

The brilliance of the novel is compounded by the fact that the style is pacy, the narrative believable, and it also brings up many issues of how we as a society cope with people who do not function in the way we do. We get a real sense of the frustration Mr Nobody feels and his bewilderment as to his mental state. Also the book is very frank in its treatment of people who are guilty by association and when Emma’s identity is revealed, we see the way in which the press move and how ruthless Zara is to be the first person with the story.

I also thought that it was interesting to see how both Emma and Mr. Nobody have to deal with the themes of identity and belonging.  Even though Emma grew up there, she no longer really belongs, and has had to create a whole new identity to survive.  Similarly, Mr. Nobody has no idea where he is from or where he has been, and he survives by trying to remember anything to give him that sense of place or time.  The brief flashes of recollection are peppered with a sense of fear and pain, as he cannot put them into any tangible order and this adds to his sense of dislocation even further.

As the novel hurtles towards its conclusion, Emma unravels Mr.Nobody’s true identity and reason for appearing on that particular beach at that particular time. It is an intricate and detailed plot, which means that you are fully engaged with it, but also that you turn the pages faster as you want to see who Mr. Nobody truly is! It was for me, one of those novels where it is so tightly plotted and executed that you absolutely understand every character’s motivation and actions – although you might not always like them, they are real and fallible, and that is what makes the story work so well.

In the hands of a lesser writer, Mr. Nobody could have been a novel that seemed too bizarre and ambitious to work effectively.  However, Catherine Steadman not only engaged me from the outset of the novel, but her clever and intelligent story had me absolutely hooked and the fact that I could not guess where the narrative was going next, only added to my enjoyment of it.

I loved it.

Thank you as always to LoveReadingUK and SimonSchusterUK for my gifted copy in exchange for an honest review.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

that Emma and Matthew are both having to deal with the notion of identity and belonging, of celebrity and loss.

I loved it.

Thank you as always to LoveReadingUK for my gifted copy in exchange for an honest review.

It’s Here..! My Booktime Brunch with Antonia Honeywell on Chiltern Voice

grayscale photo of vintage radio beside stove with cooking pot

 

Thank you so much to Antonia for sending me a copy of the Booktime Brunch Show!

Feel free to have a listen, hear how much #Booklove (I know!), there was in this show, and let me know what you think!

To all the people I tagged in my previous post, have a listen to see what we said about you … (all lovely I promise..!).

Thank you for all the wonderful feedback already, and now you can hear the whole thing..

 

I hope you enjoy it as much as I did doing it, and let me know if you have any suggestions of books we should be talking about for our Autumn and Christmas Special.

Lots of love,

Clare

xxx

Things In Jars by Jess Kidd

 

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Things In Jars by Jess Kidd

Published by Canongate

Buy It: here

 

What The Blurb Says: 

London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist.

As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may well prove the most remarkable spectacle London has ever seen.

Things in Jars is an enchanting Victorian detective novel that explores what it is to be human in inhumane times.

What I Say:

Sometimes, when you least expect it, you find a novel that absorbs you so completely, that you wish there were another hundred pages.

What I did know, was that everyone who had read Things In Jars, had loved it and could not stop recommending it. When I saw that my Bookish Sister, Bookish Chat had awarded it six stars (you can read her review here), I knew that Things In Jars was going to be very special.

Bridie Devine is the heroine, a woman who bursts into the novel and out of the pages with such passion and strength, and into the 1800’s of London’s streets and alleyways with such force that we know she is absolutely in charge of her destiny.  She is working for the police – usually Inspector Rose and actually not officially, to help them solve crimes.  Bridie is still smarting from her failure to reach her last victim in time, and is wary of getting involved with police work again.  However, when she hears about the case of Christabel Berwick, the daughter of Sir Edmund Berwick, who has apparently been kidnapped, she is intrigued and cannot resist getting involved.

We, as readers, know from the very start of the novel that Christabel is not a normal child, and she seems to possess supernatural powers as well as very sharp set of teeth and a fondness for eating slugs and snails!  She is taken from her bed in the middle of the night, but as Bridie starts to investigate, it is apparent that not only do lots of people seem very interested in Christabel, but that also no one is really as innocent as they may seem.  We learn that Christabel is actually a merrow – a magical creature that has the ability to affect the emotions of a person who looks upon her, and that she can also influence the weather.  This of course means that she is a highly valuable prize, who is being touted around until her kidnappers can find the highest bidders.

The London that we are presented with in Things In Jars, is one teeming with life, a world filled with fantastical sights, disorienting sounds and powerful smells that overwhelm and envelop us constantly. London is not presented at its tourist friendly, picture perfect best. This London is one of poverty and suffering, where things that might be ignored in other novels are pushed right in front of our faces so that all we can do is look at them and feel a sense of unease and discomfort. Bridie on the other hand knows exactly how to navigate it to get what she wants.  Bridie is not alone in her endeavours to find Christabel.  She has a maid called Cora, who is a seven foot woman with facial hair and a whole lot of attitude, as well as a fighter called Ruby Doyle who is a ghost, and only Bridie can see him. As the novel progresses, Ruby and Bridie form a powerful and nearly romantic bond which delights and also frustrates them, as they know they can never truly be together.

This is one of the many things I loved about Things In Jars – the fact that what could have been an ordinary ‘whodunnit’ is elevated way beyond any usual reading experience, and it makes you sit up and take notice from the very start.  There is a sense of the magical, surreal and supernatural which weaves its way into the fabric of the story from the moment you turn the first page. As a reader you are pulled along with Bridie and her unrelenting determination to find Christabel, but Jess’ writing is so wonderful, that the magical elements seem to fit perfectly and are not at all out of place.

Along the way, Bridie and Ruby meet a plethora of interesting and unusual characters, all with a story to tell and more often than not, a score to settle. As Christabel is moved around the capital, and the kidnappers try to find a buyer, there is a sense of unease that starts to unsettle the natural order of the city.  Birds start to congregate, the Thames starts to rise, and London’s inhabitants sense that all is not well with the world and unbeknown to them, Christabel is at the heart of it all.

Although there is lots of humour in the novel, it is a very real depiction of the grim reality for many of those living in London, far away from the wealth and privilege of the monied classes.  Jess is not afraid to show the dark and often grim side of life. People and children are killed, a decapitation occurs, and we also see how awful it was for those who had to have operations in a time where there was no anaesthetics. It also shows us how difficult it was for women like Bridie, who are fiercely intelligent and refuse to be limited by society’s expectations and have to constantly battle to ensure that they are heard.  This made me love Bridie even more, and at the heart of her character lies kindness and compassion and an overwhelming desire to find Christabel in time.

Things In Jars is a novel that is breathtaking in its scope, that delves into the dark underbelly of London and captures our attention and heart from the very first page.  Bridie is a fierce and captivating character, who defies the limits that others place on her and is reassuringly comfortable with who she is and what she wants. Jess Kidd has boldly taken a familiar genre, unapologetically turned it on its head, added elements of the supernatural and magical and created a fantastic and vibrant world filled with amazing characters that quite simply that leaves us wanting more.

I loved it.

The Guilty Party by Mel McGrath

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Mel McGrath: The Guilty Party

Published By: HQ Stories

Buy It: here

What The Blurb Says:

You did nothing. That doesn’t mean you’re innocent.

On a night out, four friends witness a stranger in trouble. They decide to do nothing to help.

Later, a body washes up on the banks of the Thames – and the group realises that ignoring the woman has left blood on their hands.

But why did each of them refuse to step in? Why did none of them want to be noticed that night? Who is really responsible?

And is it possible that the victim was not really a stranger at all?

What I Say:

‘It won’t go away, that memory, that secret. It will sink into the deeper layers of our friendship until returning to the surface someday, it will begin to destroy us from the inside.’

There is a very famous saying which I am sure you all know. ‘Keep your friends close, but your enemies closer.’

The Guilty Party by Mel McGrath is perhaps a perfect example of the fact that sometimes they can be one and the same thing.

Cassie, Anna, Bo and Dex seem to be a tightly knit group of friends who have known each other for ever, and are the sort of annoying cliquey group who can finish each other’s sentences and are unrelenting in telling jokes and limitless anecdotes about their friendship.

One night, whilst at a music festival, the group witness a a violent sexual assault on a young woman, and do nothing. They walk away, too fearful of the implications of getting involved, and retreat back to their own worlds.

The thing is, that Cassie cannot forget what she has seen. When a body of a woman is washed up from the Thames, the nameless woman is named as Marika, a real person who, it turns out, was actually a part of all of the group’s lives for very different reasons.

So far so formulaic you may think? This is where you are very wrong.

The Guilty Party is a clever and scathing examination of the true nature of friendship, how what you see is not always what you get. It may seem that the group lead a picture perfect life, but each of them is fractured and very adept at maintaining a facade whilst underneath their reality is far from perfect. Cassie is unhappy and desperately short of money. Anna’s seemingly wonderful marriage is far from it and she has issues around food. Dex is constantly cheating on his older husband who has cancer, and Bo may seem to be the very personification of a successful IT entrepreneur, but he has a very dark secret that would ruin him should it become public. The group also use their online Little Black Book to document the people they have been with, which could be explosive should it get into the wrong hands. Coupled with these secrets that bubble under the surface, Anna and Bo, once an item, seem to be unable to untangle their lives and determine the lines of their friendship, whilst Dex and Cassie were also an item before he came out.

As Cassie becomes more absorbed in trying to understand who the victim was, and unravelling the guilt that is seeping into and through her friends, she starts to realise that maybe each one of them had a part to play in Marika’s death.

When the group stay at an isolated cottage for the weekend, it is there that the four friends are forced to finally confront how each of them played a part in Marika’s fate. The location and distance of the cottage from the outside world means that inside the cottage becomes increasingly claustrophobic as Cassie, Anna, Bo and Dex are forced to not only confront the reality of what they have done, but also the fact that they may really not be as close as they think. It is as if increasingly their friendship is only held together by the reality that each of them has devastating secrets that they can never have exposed.

The plot moves quickly and backwards and forwards in time, which for me helped to add to the idea that you are increasingly disorientated as a reader, and are never quite sure who is telling the truth. I also really felt that each character really inhabited their voice in the book and that the different language and style of talking that Mel uses, really pulls you in to their world and gives a real insight into their characters.

Little by little, the cracks in the group start to get ever larger and it becomes evident that perhaps the greatest danger is from someone inside the group rather than the authorities. As the novel races towards its conclusion, the friends are forced to realise that they are far from innocent in Marika’s fate, and that their behaviour means that their lives will never be the same again once they leave the cottage.

The Guilty Party is the perfect definition of a page turner. I loved the pace of the novel, and the way that Mel makes you move deftly between the narrative and the characters, so you are never really sure what is going to happen next. It is a thoughtful and intelligent examination of privilege and morality, of friendship, and of understanding that sometimes the ties that bind us together are in fact the very things that also pull us apart. The Guilty Party is a brilliantly addictive novel, that deserves all the accolades it is receiving, and I absolutely loved it.

As Cassie says;

‘If you had been in the churchyard that night, what would you have done?’

‘And are you sure?’

Thank you so much to Joe Thomas at HQ Stories for my gifted copy of The Guilty Party and the opportunity to take part in this blog tour, in exchange for an honest review.

You can find out what my fellow Bloggers are saying about The Guilty Party by following the Tour below.

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The Silent Patient by Alex Michaelides

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Alex Michaelides: The Silent Patient

Published By: Orion Books

Buy It: here

What The Blurb Says:

ALICIA
Alicia Berenson writes a diary as a release, an outlet – and to prove to her beloved husband that everything is fine. She can’t bear the thought of worrying Gabriel, or causing him pain.

Until, late one evening, Alicia shoots Gabriel five times and then never speaks another word.

THEO
Forensic psychotherapist Theo Faber is convinced he can successfully treat Alicia, where all others have failed. Obsessed with investigating her crime, his discoveries suggest Alicia’s silence goes far deeper than he first thought.

And if she speaks, would he want to hear the truth?

 

What I Say:

As regular readers (Thank you Mum and Dad), of my blog will know, I am not one for posting pictures or videos of myself on the interweb to publicise books.  Sometimes, when you read something that is so brilliant, that gives you that ‘WHAT THE ??’ reaction, sitting down, firing up your laptop and being witty and erudite at the time is not what it needs.

The picture you see on this blog post, is me, just after I had read #ThatPage of The Silent Patient.  I can honestly say, this is the first novel in a long time that has made me stop and re-read the previous pages to see if I missed any clue, any sign of what was to come (spoiler alert  – not one thing!).

The Silent Patient is the story of Alicia and Gabriel. A happy Instaperfect couple who seemingly have it all.  In love, successful and full of life, they inhabit a world we can only dream of – until Alicia shoots and kills Gabriel, and from that day on she does not speak.

Baffled by her mutism, unable to understand why Alicia killed Gabriel, she is sent to The Grove, a secure unit where she is sedated, silenced and unable to communicate with anyone.

Theo Faber decides that he is the therapist who can finally reach Alicia.  He is determined to be the one person who can make her talk and explain why she killed her husband.  The thing is, Theo is not doing this out of the kindness of his heart, he has an agenda.  He is fully aware of the kudos and celebrity cracking a case like this will bring, and his self-assured manner and downright arrogance means that from the start, you sense that he doesn’t truly have her best interests at heart.  Theo is mesmerised by Alicia, and will do whatever it takes to ensure he is the man she will owe her recovery to.

Alicia’s silence is due in part to the heavy doses of medication she has to take, and when Theo convinces Diomedes, the head of the unit to decrease the dosage so he can start to try and communicate with her, you know that this is finally the start of the process of Alicia’s recovery.

As Theo starts to work with Alicia, his personal life is also brought into focus, we understand that things are not going well for him with his wife Kathy, and he is forced to confront the fact that is own marriage may not be as happy as he believed. As a result, the ethical lines start to become blurred, and Theo researches Alicia’s life before Gabriel was killed.  He becomes increasingly obsessed with Alicia, and wants to be her saviour, which means that he will do whatever he needs to to ensure he is the one person she relies on.

I think that the notion of power is a very interesting one that runs throughout this book. Theo believes he is the powerful one as he has the academic knowledge to make that vital breakthrough with Alicia, but increasingly it becomes clear that she has all the power in the relationship.  As she comes off her medication, Alicia does not suddenly start to talk in a bid to prove her innocence.  She delights and frustrates Theo in equal measure, communicating with non verbal gestures, then retreating completely.  It is only when Theo sets up a room for Alicia with all her painting materials that he starts to see she is communicating to him through her art.  It is also worth noting that Alicia at the time of the murder, was working on a self portrait she had called Alcestis – the story of a woman who gave her life for her husband, and when she was returned to life, she was mute, filled with rage that her husband would allow her to sacrifice herself so he could live.

When Alicia gives Theo her diary to read, he feels that he has finally made the breakthrough he had been desperate for, and that his success will only be matched by Alicia’s gratitude. Even more amazingly, when Alicia finally starts to speak, she is able to finally start to fill in the events surrounding Gabriel’s death and make sense of what had happened to her.

From that point on, The Silent Patient twists and turns and pulls and pushes you, hurtling towards that exquisite moment when the penny finally drops, and you will finally understand why I posted that picture!  In The Silent Patient, Alex Michaelides has written a triumphant first novel.  It is perfectly plotted and filled with characters who delight and revolt you with equal measure, as you turn the pages desperate to understand why Alicia does not speak.  The Silent Patient is a debut novel that achieves that rare phenomenon of being an absolute jaw dropping page turner,  but is a clever dissection of the power of speech and mental health too. You will be hearing a lot about this novel, and quite rightly so – it might only be February, but it is one of my novels of the year.

Buy it, read it, and when you get to ‘that moment’, you will understand exactly why I absolutely loved it.

Thank you to Poppy Stimpson and Ben Willis at Orion for gifting me a copy, and to Alex Michaelides for helping me well and truly get my reading mojo back!

 

 

 

 

The Secrets You Hide by Kate Helm

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The Secrets You Hide by Kate Helm

Published By Bonnier Zaffre

Buy It: here

What The Blurb Says:

Georgia Sage has a gift: she can see evil in people. As a courtroom artist she uses her skills to help condemn those who commit terrible crimes. After all, her own brutal past means she knows innocence is even rarer than justice.

But when she is drawn back into the trial that defined her career, a case of twisted family betrayal, she realises her own reckless pursuit of justice may have helped the guilty go free.

As Georgia gets closer to the truth behind the Slater family, something happens that threatens not only her career – but even her own sanity. At first, she fears her guilt around the events of her terrible childhood is finally coming back to haunt her.

The truth turns out to be even more terrifying . . .

What I Say:

Georgia Sage has a job that many of us don’t even think about. We take for granted the sketches from inside the courtroom that appear on our news programmes and only notice them if something stands out about them. Georgia not only sketches scenes from inside the courtroom, but she understands the power that she has in interpreting the character of the people inside the courtroom. By deciding whether or not she feels that someone is guilty or not guilty, Georgia produces sketches that show the personality of the person and influences the judging decisions that are made. Georgia wants justice to be done, and for those who are guilty to be punished.

Georgia is not doing this as a malicious endeavour, she herself has been the victim of a senseless and unspeakably terrible crime. As a young girl, then called Suzanne, she was locked in her bedroom as her father killed her mother and her younger brother Pip. Her life shattered and incomprehensible, she is sent to live with foster parents and given a new identity as Georgia Sage to start to rebuild her life.

Little by little, Georgia starts to see a young boy around her. The only thing is, no one else does. Georgia knows that something is not right, but she feels she has no one to turn to. As well as trying to maintain her career, she is battling with the realisation that she may be like her father, and is suffering with mental health issues.

When Georgia is approached to draw a picture for a book featuring the most memorable cases of courtroom artists, she finds herself forced to revisit a disturbing case she had to document earlier in her career. Daniel Fielding, apparently jealous of his new step mother, set fire to the house while she was inside, unaware she was pregnant and that there were two children being babysat inside. His father Jim, had rushed into the fire and managed to save the two young children. However, he lost his wife and unborn baby in a seemingly senseless crime perpetrated by a member of his family.

When Jim and Georgia meet, he seems initally to be the reluctant and humble hero, but as Georgia starts to paint him, to see the man behind the headlines. you sense that there is much more to him than first appears. For me, I thought that it was particularly poignant that the more Georgia adds layers to her painting, that more layers are peeled away from Jim and the world around him. There is always an unease that permeates every visit she makes, a sense of mistrusting Georgia because she is not local, and that Jim is such a powerful part of his local community. As she gets more involved in his world, she starts to realise that Jim may be far more complex and not the folk hero he first seems..

All the while, Georgia is seeing not only a little boy called Charlie, who it transpires was one of the children caught in the Fielding’s fire, but also her murdered brother Pip, and a teenage girl Georgia nicknames Pink. This is a brilliant plot device – it serves to disorentiate and confuse us and wonder what on earth this means.  We see Georgia battling with her demons on a daily basis, and how it makes her worry about her own mental state and ability to function, to appear ‘normal’ so she can keep her job.

When the reason for Georgia seeing these children is revealed (as always, am not going to tell you – buy the book!), as a reader you understand that this not only explains what Georgia has been seeing and why, but also makes us understand how she has to become focussed on what is ultimately important to resolve these issues while she still can.

In Georgia, Kate has created a sensitive and relatable character. We feel her sense of loss, her ongoing struggle to try and build an identity and a new life. I felt that we were as much a part of Georgia’s journey as she is, she is trying to not only make sense of her past life, but also to ultimately be comfortable with her new one.

What differentiates The Secrets You Hide, and for me, makes it a must read novel is that it is so different to anything I have read before. The whole plot unravels little by little and packs punch after punch and twist after twist. I am certainly not going to tell you any more about what happens, because it would absolutely spoilt it, but let me tell you this. I have read lots of books, and I did not guess at all what was going to happen. The joy of The Secrets You Hide is its complexity and intelligence.  It takes the tried and tested thriller genre, shakes it up, and adds a brilliantly flawed heroine who we desperately want to succeed, and ensures we are there every breathtaking step of the way.

Kate Helm’s first novel of this genre is brilliant in its orginality and razor sharp in its execution.  Believe me, if you love books, and are looking for your next must read novel, you won’t want to miss this chance to meet Georgia Sage for the first, and hopefully not the last time.

I loved it.

What Kate Says:

I am very proud to have a guest post from Kate Helm, the Author of The Secrets You Hide – here’s Kate to tell you about which podcasts you should be listening to and why.

Am off to download them all now…

Top 5 podcasts for thriller fans – and thriller writers – by author Kate Helm

If you’re a crime or thriller fan who hasn’t discovered podcasts yet, this could change your life.

I love podcasts: they’re free, easy to download and they transform household chores, dog walks and any other routine task into a fascinating experience. And, in my case, they’ve even inspired an entire novel: the idea for The Secrets You Hide came when I was listening to one on a cross-trainer.

So here are my top 5 for fans of crime and thriller writing:

Criminal – the unexpected podcast

It was an episode of Criminal, a beautifully made American podcast, that triggered the idea for my novel about a courtroom artist. In Pen and Paper, They interviewed court sketch artists about their work and how it felt to stare into the eyes of the accused and the seed of the story began to grow in my mind. I love Criminal because the show features quirky, unexpected cases and fascinating people who operate across the law, from dog theft to the impact of gunshot wounds.

They walk among us – the British crime podcast

Many crime-themed podcasts are US-based, but this one focuses on UK cases – it can be gritty but I love the range of topics covered, from the Krays right up to contemporary trials.

File on 4 – the investigative podcast

This is a UK BBC current affairs show so each week there’s a well-made investigative documentary covering crime and legal issues, as well as other controversial subjects. It’s not just the stories themselves that grip, it’s also how the reporters uncover them, as it gives you a glimpse of what it takes to get to the truth.

The bingeworthy one-off podcasts – Serial, Murder in the Lucky Holiday Hotel, The Ratline

Serial put investigative podcasts on the map, as it unpicked a cold case step-by-step across multiple episodes: it’s now on its third season. I am a sucker for a story that unravels slowly, playing tricks with you as you change your mind about guilt or innocence. The two ‘intrigue’ documentaries from the BBC offer the same depth and doubts, with Murder at the Lucky Holiday Hotel focusing on shady Chinese-British business dealings, and The Ratline dealing with the Nazi’s secret escape route from Europe.

Hidden Brain – the podcast about what makes us tick

Too much true crime can be exhausting or depressing – and like many readers, and writers, the whydunnit matters as much to me as the whodunnit. Hidden Brain is a great listen, covering the psychology of groups and individuals, from #metoo to procrastination or going without sleep. The examples are always fascinating and the presenter Shankar Vedantam really gets the most of out each topic.

The Secrets You Hide is published as an e-book on October 4 and paperback on February 7. Join Kate’s free book club for exclusive previews and competitions to win signed books by your favourite thriller authors, via Kate’s website www.kate-harrison.com or follow her on Twitter @katewritesbooks

If you have missed any more posts from Kate’s Blog Tour, here are my fellow brilliant bloggers who have been taking part. Find out what they have been saying about The Secrets You Hide..

Thanks to Francesca Russell and Sahina Bibi at Bonnier Zaffre and Netgalley for my e-copy in exchange for an honest review.