The Cat and The City by Nick Bradley
Published by Atlantic Books
Available at all Good Bookshops and Online
What They Say:
In Tokyo – one of the world’s largest megacities – a stray cat is wending her way through the back alleys. And, with each detour, she brushes up against the seemingly disparate lives of the city-dwellers, connecting them in unexpected ways.
But the city is changing. As it does, it pushes her to the margins where she chances upon a series of apparent strangers – from a homeless man squatting in an abandoned hotel, to a shut-in hermit afraid to leave his house, to a convenience store worker searching for love. The cat orbits Tokyo’s denizens, drawing them ever closer.
What I Say:
As soon as I had seen the cover (shallow I know!) of Nick Bradley’s novel The Cat and The City, I knew I wanted to read it.
The novel is set in Tokyo, and each of the chapters could be read as a short story in its own right. Honestly, when I started the novel, I thought this is what I was reading. We meet a seemingly disparate cast of people, whose only connection to the plot seems to be that they live in Tokyo.
This is the brilliance of Nick’s writing, because as you read on, the same names start to appear, locations and families become common, and throughout it all, weaving its way through the streets of Tokyo is the singular figure of the cat. By the end of the novel, you understand that everything and everyone is connected, and Tokyo is a city where the actions of one person have unforeseen and sometimes life changing consequences for others.
We start with a young enigmatic woman called Naomi asking to have a map of Tokyo tattooed on her back, done in a traditional manner which will take months to complete. As a rebellious gesture, Kentaro the tattooist adds a cat to the design- except the cat moves around the design every time he works on it, and he starts to doubt his own sanity.
The story moves on to a homeless man called Ohashi, who once was a well known storyteller, but now makes his living by selling crushed cans he scavenges around the streets of Tokyo. He lives with the cat in a derelict hotel, after losing everything he had to drink and has been relentlessly haunted by the fact he left his daughter who was dying. He is estranged from his brother Taro who drives a cab and has his own story to tell.
Taro’s passengers include characters we meet further on in the book, including Flo, who works as a translator for a PR firm, and has dedicated her spare time to translate a novel by one of her favourite Japanese authors to give to her friend. Unfortunately, Flo is shattered when her friend presents her with a copy of one that has just been published, and wonders about what she is doing in the world and why. Flo was a really interesting character for me. She is an American living in Tokyo, and although she tries to fully submerge herself into Tokyo and the cultural life, you always get the sense she is slightly on the edge, and is trying to find her way and sense of identity in the world. Flo desperately wants to belong in Tokyo, and it is only by admitting this to her co-worker Kyoto that she can make her first tentative steps to do so.
Nick also constantly plays around with the novel as a stylistic genre. There are chapters which is the translation of the novel Flo has been working on, there are photos that one character posts to his social media on an evening out, and one of my favourite chapters – Hikikomori, Futoko & Neko is illustrated in the style of a manga novel – and it works perfectly!
The story of Hikikomori, Futoko & Neko was simply and cleverly told, as an agoraphobic young man finds his way back to the world through his friendship with Ken and their shared care of the cat who has been injured. When you find out that Ken asks Nao to write to him, and Nao is spotted by the cat going to the postbox;
“He was going from lamppost to lamppost, hugging one as he went. A step at a time, cautious as a man in a war zone“.
It is writing like that, that honestly made me take a breath as you absolutely understand what Nao has gone through to reach that point. It is the realisation of how we are all linked by the things we do and the actions we take, which adds another level to this intricate and absorbing novel.
I learned so much about Tokyo and its culture and tradition from reading The Cat and The City, but do not think that this is an Instagram filtered perfect version of the world. You are taken to the heart and soul of Tokyo, and it is at times brutal, unpalatable and difficult to read about. Sex is often regarded as a soulless transaction and a means to an end, and some of the situations the characters face were very challenging for me to read, but I appreciate it is integral to the cohesion of the novel and the plot.
For me, at the very heart of The Cat and The City, is the notion of a human need to connect with others and to belong – be it to society or to another person. The central figure of the cat winds its way through the story, paving the way for people to find themselves and their families again. The cat is the impetus to help them understand that even in a huge city like Tokyo, sometimes you need to look around you to understand that life is waiting for you if you just have the courage to take the first step.
The Cat and The City is a brave, different and at times very unsettling novel, but one that will stay with me for a long time, and I am so glad I read it.